Omkarnath Thakur – 33 ECX 3303 – LP Record
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| Omkarnath Thakur – 33 ECX 3303 | |
| Omkarnath Thakur (June 24, 1897 – December 29, 1967) was an influential Indian educator, musicologist, and Hindustani classical singer. He is famously known as “Pranav Rang”, his pen-name. A disciple of classical singer Vishnu Digambar Paluskar of Gwalior gharana, he became the principal of Gandharva Mahavidyalaya, Lahore, and later went on become the first dean of the music faculty at Banaras Hindu University. | |
| Record Details | |
| Title | Omkarnath Thakur – 33 ECX 3303 |
| Singer | Omkarnath Thakur |
| Releasing Year | 1973 |
| Genre | Indian Classical (Vocal) |
| Language | Hindi |
| Label | Columbia |
| Made In | India |
| Manufacture | The Gramophone Company Of India Limited |
| Serial No. | 33 ECX 3303 |
| Side One | |
|
The Topic of Panditji’s lecture is “Bislawal”, the fundamental mode from which a plenitude of ragas have derived through the centuries. It was Panditji’s firm conviction that Bilawal never evolved itsefl into an independent raga — as a theme suitable for vocal or instrumental rendition. It was essentially a “thaat” from which emanated a rich variety of “janya” ragas like alhaiya Bilawal, Devgiri BIlawal, Kukubh Bilawal and a host of others.
And Panditji ecsues profound scholarship as he stresses his point of view. His argument is marked by incisive analysis, sound judgement and forthright advocacy, There is also in it the familiar the toric and ebullience of manner, too — all of which wins the listners over to his side. |
| Side Two | |
|
Panditji’s exposition of the raga Alhaiya Bilawal. It is a brilliant revelation of the diverse aspects of his consummate artistry: his crushing sonority of voice; his accurate intonation: his typical ardour and fervour; his natural expressiveness; his penchant for dramatisation; and, abov all, his power to move his listeners.
Alhaiya Bilawal is a celebrated morning melody with a complete scale (sampurna raga), The sixth (dha) is the dominant (vadi) note and third (ga) or the second (re) is the sub-dominant (samvadi) note. All the notes are natural (shuddha). But the raga also makes use of the flat seventh (komal nishad) in the descent (avaroha). |
| Specification | |
| Size | 12 Inches |
| Speed | 33 RPM |
| Record Condtion | Excellent |
| Cover Condition | Excellent |
| Weight | 0.35 g |
|---|---|
| Dimensions | 33 × 33 × 2.54 in |
| Singer | Omkarnath Thakur |
| Language | Hindi |
| Genre | Indian Classical (Vocal) |
| Label | Columbia |
| Album Releasing year | 1973 |
| Speed | 33 RPM |
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